ISO Amsterdam |

_ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p

iso is a collaborative working arena that combines a public programme with exhibitions, workshops, screenings, lectures, performance and music events. An ever-evolving stage for the (inter)national cultural community.

Explore over thirty individual and shared ateliers; the intimate workspaces of a multitude of creative professionals operating within an expansive range of disciplines: industrial, product and furniture design, technology, architecture, painting, sculpture, ceramics, photography, performance, video, printmaking, graphic design, music, fashion and instrument making.

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With Maarten Nico, Lino Thijssen, Job Althof, Niek Sanders, Juan Bravo, Gwion Lopez, Skount Garcia, Isabel Cordeiro, François Duquesnoy, Arno Hoogland, Roel de Boer, Dorian Jakob Koelmans, Basse Stittgen, Aurélien Lepetit, Ruth Legg, Hans Rosenboom, David Kellas, Laura A. Dima, Germans Ermičs, André Cramer, Maurits Koster, Julien Manaira, Christiaan Bakker, Steven Akoun, Daan Simons/Tsugi Woodworks, Barnaby Monk/Herbert Luciole, Cyriel Jacobs, Steffan van Gerve, Mayra Sergio, Romy Yedidia, Guido van Amelsfoort, Camille Dolibeau, Kaspar Dejong, Ásgerður Birna Björnsdóttir, Thom van Hoek, Florence Parot, Dajo Bodisco, Lotte Schröder, Glenn Ryszko, Alexandra Stueck, Noah Cohen, Alexis Bondoux, Lou Buche, Virginie Gauthier, Hannes Bernard, Guido Giglio, Javier Rodriguez, Guillaume Roux, Goys&Birls, NXS World, Jacob Hoving, Joris Visser, Symbiotic Sessions, Nathaniel Klumperbeek, Yorán Vroom, Marc Mangin.

Founder and director: Dajo Bodisco; Founder and creative director: Florence Parot; Interior architects: Christiaan Bakker, Arno Hoogland, Gwion Lopez; Construction coordinator: Jeroen Minnaert; Floor manager: Juan Bravo; Visual identity: Kévin Bray, Lou Buche, Alexis Bondoux, Virginie Gauthier, Guido Giglio, Hannes Bernard; Web design & development: Joris Visser; Curatorial assistant: Aurélien Lepetit; Event production coordinator: Lars van Broeckhuysen; Communication manager: Hannah Pezzack; Supports: Noah Cohen, Pénélope Fenard, Frodo Willemsen

iso is supported by Bureau Broedplaatsen

CURRENT & UPCOMING

EVENTS
& EXHIBITIONS:

there are no upcoming events or exhibitions at this time

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Our very own ISO pioneer and current Rijksakademie resident - Kévin Bray (@bray_kevin)'s- work is currently being showcased as part of the ‘Future, Former, Fugitive’ exhibition at Palais de Tokyo (@palaisdetokyo), running until 5 January 2020. We're immensely proud of his achievement; be sure to stop by if you find yourself in Paris. Kévin's work is seen here during 'Out of Print 2' at @isoamsterdam in September 2019 📷 : Cyriel Jacobs & ‘‘Future, Former, Fugitive’, Palais de Tokyo 📷: Florence Parot
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#OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #palaisdetokyo

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Mega painting production of 50 meters banner by @ananstriker @isoamsterdam #tb. ‘9.15’ project performance, September 27, 18:00, Amsterdam North
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#drawingperformance
#artificialgrassfield #amsterdamnorth #anan

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LAST SATURDAY IN ISO - #tbt Thank you @yusuke_yamatani for this unforgettable performance ‘Doors’, as part of the Unseen Open Gallery Night afterparty. In this piece, the artist utilises a drumkit, strobe lights and a specially designed camera to create live-action portraits.

@isoamsterdam in partnership with @unseenplatform
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#YusukeYamatani #Amsterdam #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #collect

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OUT OF PRINT #2 - Thank you to everyone who came to the opening last night - it was an amazing evening! The exhibition will continue to be open today-Friday, 11 am - 6 pm and Saturday, 11 am - 22 pm. Come and have a look around👀 Free entry to all ⚡️@isoamsterdam in partnership with @unseenplatform
Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint#Amsterdam #CreativeStudio #Art#Design #Digital #Video#ContemporaryArt #Alternative#Photography #isoamsterdam#Unseen #artbridgeparis

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OUT OF PRINT #2 - We’re nearly all ready for this evening ⚡️ Kévin Bray (@bray_kevin) is adding details to his work at @isoamsterdam, opening to the public tonight at 7pm, free entry to all. In partnership with @unseenplatform
Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art#Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Artist Guillaume Roux (@rouxcoucou) reflects on contemporary digital media, considering how recent developments have impacted on designers. His work is based on 3D animation, interactive design and Deep Learning.
@isoamsterdam, 18-21 September.
In partnership with @unseenplatform
Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint#Amsterdam #CreativeStudio #Art#Design #Digital #Video#ContemporaryArt #Alternative#Photography #isoamsterdam#Unseen #artbridgeparis

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OUT OF PRINT #2 - Collective DVTK (@d_v_t_k) present a collaborative artwork in which visitors will be asked to select an image from their smartphones and “paint” it onto a projected screen, creating a massive animated collage. The exhibition will open to the public at 7pm, 18 September. 📺: DVTK. Event link in bio
#teasing
With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of our dear Amsterdamse @beamsystems and @unseenplatform. Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Creative studio Golgotha (@glgth) presents an endless loop of animation across thirteen screens; a dedication to the legacy of Abode Software. @isoamsterdam, 18-21 September. In partnership with @unseenplatform
Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Whilst simultaneously quoting art history and tradition, Kévin Bray (@bray_kevin) moves into an apocalyptic imagining as if he were creating a backdrop for a science fiction story. @isoamsterdam, 18-21 September.
In partnership with @unseenplatform
Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Ines Alpha (@Ines.Alpha) builds living masks from selfie filters: “I have a fascination for science fiction, cyborgs, mermaids, tiny sea creatures, rainbows, mineral miracles, alien algae and mostly holographic textures.” Try out her 3D makeup at @isoamsterdam, 18-21 September. In partnership with @unseenplatform 🌸

Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr, @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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UNSEEN OPEN GALLERY NIGHT AFTER PARTY @isoamsterdam - On Saturday 21 September at 22:30, Japanese artist Yusuke Yamatani (@yusuke_yamatani) will kick-off the Unseen Open Gallery Night After Party with his performance ‘Doors’. For this artwork, Yusuke hits a drumkit; the vibrations are picked up by sensors that then activate camera shutters and flashing strode lights. This specially designed apparatus evokes the complexity and distortion of human consciousness and (self)perception.
In partnership with @unseenplatform.
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#SavetheDate #UnseenOpenGalleryNight #Amsterdam #Art #ContemporaryArt #Alternative#Photography #isoamsterdam#Unseen #YusukeYamatani #unseen

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Join us on Wednesday 18 September at 19:00 for the public opening OUT OF PRINT #2, an exhibition exploring the future of visual communication in the rapidly changing digital landscape. On Saturday 21 September, Unseen Open Gallery Night will take place, followed by an after-party kicked off with the performance ‘Doors’ Japanese artist Yusuke Yamatani (@yusuke_yamatani). Visit Thursday-Friday, 11:00-18:00 and Saturday, 11:00 until late⚡️⚡️ @isoamsterdam in partnership with @unseenplatform. Event link in bio.
Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot.

Graphic design by talented @rouxcoucou @virg_gauthier @loubuche @bray_kevin @alexis.bondoux.
With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Elisa Valenzuela (@elisa_valenzuelaa) presents a collage of tech. A pile of old iPhones and iPads serve as a unique screen to broadcast the same movie. This piece denounces overproduction and obsolescence, considering how we can reappropriate discarded screens into an installation 💻 Opening 18 September, 7pm @isoamsterdam in partnership with @unseenplatform. Event link in bio 💻

Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot
With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Kévin Bray (@bray_kevin) creates digital paintings, collage, videos and sound art. Through these diverse mediums, he questions to what extent is a still image time-related? How do media and format interact and influence each other? Opening 18 September, 7pm @isoamsterdam in partnership with @unseenplatform. Event link in bio

Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Parisian artist Ines Alpha (@ines.alpha) works within the limitless world of CGI (computer-generated imagery), creating transformative social media face filters that bloom and sprout on the screen. 🌸 Try out her work for yourself during the public opening on 18 September, 7pm @isoamsterdam in partnership with @unseenplatform

Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems .
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - Specializing in graphic design, VR and 3D animation, French artist Guillaume Roux (@rouxcoucou) presents 'Minar'. During the exhibition, people will be invited to enter an installation where they will become a virtual character, escape an apocalyptic world and bring back nature.🌿
Open to the public at 7pm, 18 September @isoamsterdam in partnership with @unseenplatform.

Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot. Event link in bio.

With the generous support of @artbridgeparis @institutfrancais_paysbas @backmarket_fr and the partnership of @beamsystems.
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative#Photography #isoamsterdam #Unseen #artbridgeparis

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OUT OF PRINT #2 - ‘Tribute to Mr Mercury’ by creative studio Golgotha (@glgth) is a sculpture of screens: a visual tribute to digitalisation and the legacy of Adobe software. “Mr Mercury is an energy, a mysterious force, the boiling of digital life, impossible to channel but so hypnotic.” 📺
The exhibition will open to the public at 7pm, 18 September @isoamsterdam in partnership with @unseenplatform.

Out of Print #2 is imagined by @elisa_valenzuelaa and @maroussia_rebecq. Curated by @florenceparot
Event link in bio.

With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis and the partnership of @beamsystems .
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #ContemporaryArt #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

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Following last year's seminal collaboration, iso amsterdam is once again joining forces with Unseen (@unseenplatform). Event link in bio. ✨
Taking place 18 - 22 September 2019, OUT OF PRINT #2 features the work of Ines Alpha (@ines.alpha), Kévin Bray (@bray_kevin), DVTK (@d_v_t_k), Golgotha (@glgth), Guillaume Roux (@rouxcoucou) and Elisa Valenzuela (@elisa_valenzuelaa) 📷: #lachute by Elisa Valenzuela, pic: Thomas Smith @lecoeurparis. With the kind support of @institutfrancais_paysbas, @backmarket_fr and @artbridgeparis
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#SavetheDate #OutOfPrint #Amsterdam #CreativeStudio #Art #Design #Digital #Video #Contemporary #Alternative #Photography #isoamsterdam #Unseen #artbridgeparis

Instagram post 2113886369433623033_5328597238

In his studio at iso, Dorian Koelmans (@studiokoelmans) recycles everyday objects - hosepipes, measuring tapes, furniture. His designs are uniquely tongue-in-cheek and eco-friendly. Dorian’s latest work focuses on textiles, building up foamy embossed structures onto tote bags and other materials. 📷: Florence Parot.
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#tbt #ISOpenAteliers #Craft #Design #Art #ContemporaryArt #Innovation #Upcycling #Eco #isoamsterdam #iso

Instagram post 2109520161045470548_5328597238

As the floor manager of iso, artist Juan Bravo is the hands, eyes, ears and laugh of the creative warehouse. It is with great pleasure that iso presents his solo exhibition. ‘Black and White’ opens on 17 August 4pm - 1am. Beverages will be available during the evening at the gallery bar. Featuring wood carved sculpture, ceramics and ink sketches, ‘Black and White’ skilfully explores different mediums within a modest palette. Running 18 - 24 August, 6pm - 9pm.
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#Exhibition #Amsterdam #Art #ContemporaryArt #Craft #Sculpture #Ceramics #isoamsterdam #iso #BirthdayBoy

Instagram post 2105199064618635925_5328597238

Images from last year’s ‘White Wall Project’ by iso based Keep it Fresh (@keepitfreshprojects). The collective undertakes a variety of enterprises including collaborative exhibitions and murals. Guided by the principle that art is a catalyst for change, their aim is to establish a worldwide creative network. 📷: Skount Garcia (@skount.art)
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#tbt #Wall #ContemporaryArt #Craft #Design #Art #StreetArt #Collective #isoamsterdam #iso

Instagram post 2102263774757361134_5328597238

Instagram post 2099425873329892783_5328597238

Arno Hoogland creates minimally ornate furniture, lighting fixtures and sculpture. Here at iso, his studio is an explosion of activity where colour and smooth surfaces collide. 📷: Cyriel Jacobs & Stef van Gerve. .
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#tbt #OpenDay #ISOpenAteliers #June28 #ADayToRemember #Craft #Design #Art #Innovation #OneYear #isoamsterdam #iso

Instagram post 2096496300548842437_5328597238

Steven Akoun (@stevenakoun) is a designer with a difference. On the occasion of the cultural exchange between Paris and Amsterdam Steven has a studio at iso for 3 months. He mixes together discarded glass and eggshells. The result is an environmentally-friendly material that has a multitude of everyday uses. 🔨
Watch the video by @rubenpaulruben that features footage from ISOpen Ateliers.
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#parisamsterdam2019 #tbt #OpenDay #ISOpenAteliers #June28 #ADayToRemember #Craft #Design #Art #Innovation #Upcycling #Celebration #OneYear #isoamsterdam #iso

Instagram post 2095022550175376950_5328597238

Instagram post 2094323443400000872_5328597238

Trained as both an artist and architect, Isabel Cordeiro (@_isabel_cordeiro_) works primarily with paint and installation. For ISOpen Ateliers last month, her studio became an immersive artwork - a layering and unfolding of brushstroke, colour and dynamic play with material space. 📷: Cyriel Jacobs & Steff van Gerve.
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#tbt #OpenDay #ISOpenAteliers #June28 #ADayToRemember #Craft #Design #Art #Paint #Celebration #OneYear #isoamsterdam #iso

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_ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p

Stichting iso Amsterdam

info@isoamsterdam.nl
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Isolatorweg 17
1014 AS Amsterdam
The Netherlands

_ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p _ _ a t e l i e r s _ e x h i b i t i o n s p a c e _ r e s i d e n c e _ w o r k s h o p

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