BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ISO Amsterdam - ECPv6.17.1//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://www.isoamsterdam.nl X-WR-CALDESC:Events for ISO Amsterdam REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Europe/Amsterdam BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20160327T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20161030T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20170326T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20171029T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20180325T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20181028T010000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:+0100 TZOFFSETTO:+0200 TZNAME:CEST DTSTART:20190331T010000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:+0200 TZOFFSETTO:+0100 TZNAME:CET DTSTART:20191027T010000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20181124 DTEND;VALUE=DATE:20181209 DTSTAMP:20201106T134330Z CREATED:20180803T161110Z LAST-MODIFIED:20201106T134330Z UID:717-1543017600-1544313599@www.isoamsterdam.nl SUMMARY:GUIDETTI'S WORLD DESCRIPTION:An Exhibition of works by Guido van Amelsfoort\, Milena Anna Bouma\, Noah Cohen\, Kaspar Dejong\, Mees van Rijckevorsel and An Vo \n \n \n \n \n \n On the occasion of Amsterdam Art Weekend\, ISO Amsterdam invites Guido van Amelsfoort (NL-1986)\, Milena Anna Bouma (NL-1994)\,  Kaspar Dejong (NL-1995)\, Mees van Rijckevorsel (NL-1990)\, An Vo (NL-1987) with the participation of Noah Cohen (FR-1995)\, to make Guidetti’s World turn. A world shaped with ceramics\, paintings\, drawings\, collages\, sculptures\, installations\, video\, music\, performance and spoken word. They all share humor and street culture\, oscillating between poetry and iconoclasm. \nGuido van Amelsfoort presents his world made of iron and clay. As a teenager\, his interest in art was sparked by graffiti he encountered\, he began painting and writing on trains and abandoned buildings. During his studies in Breda\, van Amelsfoort starts working in ceramics after he saw an exhibition of Ron Nagle. \nOpening: Saturday November 24th\, 18h00 followed by an after-party \n \n \n \n \n \n Read more...\n While his pieces still have the rawness of street culture\, they’re full of poetry.  Mees van Rijckevorsel is graduated from the architecture department of Rietveld Academie in 2015. After his internships at RAAAF and inside outside\, two famous landscape architecture offices\, he is now working as a city planner for the municipality. After work\, Mees needs to get scale models and millimetre business out his mind. He dives into his own illustrative abstract world of oil pastels and scrapers. By doing it the hard way\, using unconventional scrapers like steel or hand-made brushes\, Mees is able to discover the large potentiality of scraping. Kaspar Dejong is graduated from Willem de Kooning Academy in Rotterdam. His practice consists of paintings\, drawings and sculptures\, referring to imagery featuring elements from public space. Dejong strips them of their present function and deconstructs them up to the moment in which their original function is disrupted. In that way\, Dejong aims to confront the viewer with the so-called herd reflex of people\, by creating a confrontation with a transformed version of reality.  Whereas Milena Anna Bouma’s work refers to the domestic space\, her works rather focus on the hybridity or aliveness of quotidian materials- and objects. A hybrid object is\, according to her\, an object that is not able to carry only one subject or identity. If objects resemble actions usually performed by living matter\, where does this place the human body? If an iron table is a skeleton\, what could be the flesh? And the other way around\, if dogs are animals living in the domestic space\, how do they differ from furniture? Where the slimey meets the rubbery and the colourful meets the shiny\, Bouma parallels an objects usual function with its alteration to the status of art. Where an uncanny notion appears in the familiar\, Bouma shows absurd alternatives of situations that usually happen in the background of daily life. She is freshly graduated from Rietveld Academie. Noah Cohen is a video artist and sculptor graduated from the erg (école de recherche graphique) in Brussels. His interactive video installations aim to reach a mental state of complete absorption\, a hyper focus that results to the loss in one’s sense of space and time. An Vo is the oracle of the temple. Born between east and west\, he eats both. Find him where he is alive. \nA group exhibition curated by Florence Parot\, on view until December 8th\, Tuesday to Saturday\, 14:00-18:00 \nAfter-show party from 21:00 with Cinnaman\, Steven de Peven\, Margie\, Roel de Boer\, Tom Maas \nSponsored by AsahiAsahi Super Dry#AsahiSuperDry#AsahiBeer \n. URL:https://www.isoamsterdam.nl/program-item/guido-van-amelsfoort-friends/ CATEGORIES:exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.isoamsterdam.nl/wp-content/uploads/2018/08/EXHIB.jpeg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20180920 DTEND;VALUE=DATE:20180930 DTSTAMP:20210114T171104Z CREATED:20180730T152606Z LAST-MODIFIED:20210114T171104Z UID:608-1537401600-1538265599@www.isoamsterdam.nl SUMMARY:A REALLY FAKE FUTURE - JASON PAGE & KAREN HUANG DESCRIPTION:Especially for Unseen Amsterdam\, iso presents A Really Fake Future\, a collaborative project by textile-based designers Karen Huang (TW) and Jason Page (US)\, inspired by the tapestries of Dutch artist Elma Beks (1926-2014). The project envisions a future where traditional textile handicrafts such as quilting\, embroidery and design are replaced by digital representations. Translating 3D materials to 2D images\, the designers question what textile craftsmanship may look like in this future. The exhibition A Really Fake Future is curated by Florence Parot\, co-founder of iso\, and will feature material research in digital image making and textiles. \nFor the exhibition\, Karen Huang and Jason Page have investigated various forms of materializing an archive of forgotten textiles\, both physically\, digitally and at the grey area in-between. Their large-scale woven tapestry looks at how a visitor can experience a body of work through an edited piece of an oeuvre. The five digital sculpture videos explore how digitalized textiles can live new lives beyond material and craft-time limitations. \nhttp://areallyfakefuture.com \n \n \n \n \n \n \n \n \n \n \n \n Read more...\n The in-between works created by Huang and Page aim to visualize the conflicts of working with traditional textile handcraftsmanship and a need to produce for the current rapid pace of society. \nJason Page (1990) is an American designer who lives and works in Amsterdam. He makes quilts\, illustrations\, wearables\, radio and publications with a ding dong style. Many projects are developed in collaboration. He is interested in how the domestic pastime of quilting can function in the age of social media culture. In his work he uses various forms of patchworking: the joining of two or more sets of materials\, information\, texts to create new visual narratives. \nKaren Huang (1984) is a Taiwanese Amsterdam based designer\, interested in the connection between fashion and the body\, as means of visual manifestation of identity and culture. In her work she develops textile and construct garments as a language in response to the social surrounding that she is in or experiences\, while looking for a balance between being accessible to people and challenging their perspectives. \nVideo works by Samuel Rynearson\, Lukas Engelhardt\, Armands Freibergs\, Leith Benkhedda\, Rik Laging / audio work by Haron Aumaj \nOpening times: \nOpening 19 September\, 18:30 \nAfter show with music by Steven de Peven\, Margie & Roel de Boer \n20 September\, open 14:00-18:00 \n21-23 September\, open 11:00-18:00 (during Unseen) \n22 September\, 20:00-22:00 (Unseen Gallery Night) \n25-29 September\, open 14:00-18:00 \nClosed on Monday \nStay up to date via the Facebook event here \nA Really Fake Future is supported by Amsterdams Fonds voor de Kunst \nIn partnership with Unseen Amsterdam \n  \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Click the button below to download a .pdf containing detailed information about the exhibition.\n \n Download .PDF\n \n Download Invitation URL:https://www.isoamsterdam.nl/program-item/a-really-fake-future/ CATEGORIES:exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.isoamsterdam.nl/wp-content/uploads/2018/07/ISO_ARFF.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20180310 DTEND;VALUE=DATE:20180325 DTSTAMP:20201106T131355Z CREATED:20180730T210435Z LAST-MODIFIED:20201106T131355Z UID:648-1520640000-1521935999@www.isoamsterdam.nl SUMMARY:EVERLASTING LIKES - STEPHANIE BAECHLER DESCRIPTION:Everlasting Likes is an exhibition of works by Stéphanie Baechler. Through ceramics and textiles the artist investigates the sensual experience that has become increasingly rare through today technologies. She converts the template of the application Instagram into a three-dimensional artefact. She deconstructs its structure considering repetition and the mechanism of posting. Repetition plays an important role in this work as she addresses the issue of the recurring actions of liking and scrolling. As if more likes represent more truth. Stéphanie Baechler (b. 1983) is a Swiss artist based in Amsterdam. Baechler is trained as textile and fashion designer with a Master’s degree from the ArtEZ Academy of the Arts in the Netherlands\, and worked as a textile developer & design assistant for Hussein Chalayan in London. \nOpening March 10\, 16:00-22:00 \nExhibition Open March 13-24\, Tues-Sat 14:00-18:00 and by appointment at info@isoamsterdam.nl Guided Tours by the artist: March 17 & 24\, 15:00 \n \n \n \n \n \n Read more...\n Baechler’s work investigates fashion’s formal and structural vocabulary\, its production process and its complex relationship to the body\, the self and the society. For some years now and after two residencies at the EKWC (European Ceramic Work Centre\, NL)\, her quest is slightly moving-away from fashion towards an artistic approach to sculpture and installations. \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n Click the button below to download a .pdf containing detailed information about the exhibition.\n \n View/Download .PDF URL:https://www.isoamsterdam.nl/program-item/everlasting-likes/ CATEGORIES:exhibitions ATTACH;FMTTYPE=image/jpeg:https://www.isoamsterdam.nl/wp-content/uploads/2018/03/Stéphanie-poster-72dpi.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20171122 DTEND;VALUE=DATE:20171203 DTSTAMP:20220328T120203Z CREATED:20180730T214017Z LAST-MODIFIED:20220328T120203Z UID:652-1511308800-1512259199@www.isoamsterdam.nl SUMMARY:ISOLA 3000 DESCRIPTION:With works by Kévin Bray (France\, 1989)\, Lou Buche (France\, 1991)\, Virginie Gauthier (France\, 1991)\, Messgewand (Alexis Bondoux + Romain Coppin) (France\, 1991 + 1991)\, Maarten Nico (The Netherlands\, 1990)\, Joséphine Péguillan (France\, 1989)\, Meeus van Dis (The Netherlands\, 1978)\, and sulsolsal (Hannes Bernard + Guido Giglio) (South Africa\, 1985 +Brazil\, 1981). \n \n \n \n \n \n ISOLA 3OOO is the inaugural exhibition of ISO\, proposed by the founder and curator Florence Parot. The work of ten artists living and working in the giant warehouse for the past six months comes together in an event that goes beyond the format of a group show. By closely intertwining their practices\, they create a hallucinatory space that activates all senses. A vertiginous\, full sized diorama that oscillates between the digital and material realms\, disorienting visitors by immersing them in macro scenery formed by micro narratives. \nWith the kind support of Amsterdams Fonds voor de Kunst (AFK) URL:https://www.isoamsterdam.nl/program-item/isola-3000/ CATEGORIES:exhibitions ATTACH;FMTTYPE=application/pdf:https://www.isoamsterdam.nl/wp-content/uploads/2018/07/ISO_3000_flyer-2.pdf END:VEVENT END:VCALENDAR